Camille Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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Camille Pissarro Spring oil painting


Spring
mk259 1872 Oil on canvas 55 x 130 cm
Painting ID::  60547
Camille Pissarro
Spring
mk259 1872 Oil on canvas 55 x 130 cm
   
   
     

Camille Pissarro Summer oil painting


Summer
mk259 1872 Oil on canvas 55 x 130 cm
Painting ID::  60548
Camille Pissarro
Summer
mk259 1872 Oil on canvas 55 x 130 cm
   
   
     

Camille Pissarro Autumn oil painting


Autumn
mk259 1872 Oil on canvas 55 x 130 cm
Painting ID::  60549
Camille Pissarro
Autumn
mk259 1872 Oil on canvas 55 x 130 cm
   
   
     

Camille Pissarro Winter oil painting


Winter
mk259 1872 Oil on canvas 55 x 130 cm
Painting ID::  60550
Camille Pissarro
Winter
mk259 1872 Oil on canvas 55 x 130 cm
   
   
     

Camille Pissarro basket of apples and pears oil painting


basket of apples and pears
mk259 1872 Oil on canvas 45.7 x 55.2 cm
Painting ID::  60551
Camille Pissarro
basket of apples and pears
mk259 1872 Oil on canvas 45.7 x 55.2 cm
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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